happy-flower-princess-of-D00M

Josephine / 18 / New Zealand


kanayahummel:

theperksofbeingdornish:

ohanameansfamily24:

-behindbars:

the-grand-highboob:

thusmylife:

b1ush:

condescendingchristian:



oh my god

As a person from California, this is 100% accurate

As a person from Michigan, this is 100% accurate

As a person from England I was so confused because I forgot you use the Fahrenheit system 

50 degrees in England 
100 degrees in England

 

I don’t know why I found the skeletons so funny, it’s almost like they’re dancing really sarcastically?

they’re british skeletons of course they’re dancing sarcastically. 

kanayahummel:

theperksofbeingdornish:

ohanameansfamily24:

-behindbars:

the-grand-highboob:

thusmylife:

b1ush:

condescendingchristian:

image

oh my god

As a person from California, this is 100% accurate

As a person from Michigan, this is 100% accurate

As a person from England I was so confused because I forgot you use the Fahrenheit system 

50 degrees in England 

100 degrees in England


 

I don’t know why I found the skeletons so funny, it’s almost like they’re dancing really sarcastically?

they’re british skeletons of course they’re dancing sarcastically. 






asylum-art:

Captive Landscapes - Daniel Kukla

Daniel Kukla, the Brooklyn-based photographer, photographed the interiors of animal enclosure at 15 different zoos across the US and Europe. He says in his Artist Statement: “We, as humans, go to great lengths to satisfy our desire for a connection with the natural world, especially in our interactions with wild and exotic animals. Zoos are the primary site for this relationship, but they often obscure the conflicts inherent in maintaining and displaying captive wild animals.” Inviting the viewer to question the role of constructed habitats, these images explore the motivations behind controlling the natural world.

via I need a guide










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